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What makes snapchat so great? Here’s why everyone from content creators to thots use this app.

Snapchat has long been one of the most popular social media apps in the world. If you’ve ever wondered how snapchat gained such a huge userbase, and why people love it so much, then we’re here to answer that.

How Snapchat Gains Users

If you’re still not aware of Snapchat, it’s a photo sharing app that was created by Evan Spiegel, Bobby Murphy, and Reggie Brown. The app became popular for a number of reasons. It had really clean user interface which made it a really good option for those with low vision. It had a lot of creative options that weren’t possible with other photo sharing apps at that time. The app also provided options for users to create geofilters which allow users to have fun with their photos. Finally, it provided an easy way for users to stay connected with their friends when they are away from the real world. Snapchat is really popular for a number of reasons, but in this section we’ll highlight the most important ones.

Why Snapchat Users Love It

Stories is a big reason why people love Snapchat. When you’re on Snapchat, you can create ‘stories’ which will stay up for 24 hours and show off all of your snapchat friends. The most popular stories are generally news, funny pictures, memes, and events, so you can keep up with your friends and see what’s going on in their lives, or keep up with events going on in your area.

Snapchat Stories get shared throughout the app, meaning that you’ll get updates from your friends or your local town. The lack of distractions means that you get to do what you want to do while you’re using the app. You don’t have to worry about new updates from friends or updates on the news, you can stay on the app to actually keep up with your friends or your day to day activities.

On Snapchat, not only can you communicate with your friends in a fun and unique way, but you can see content from famous people, like actors, comedians, musicians, and celebrities. Another popular use for the app is getting photos and videos from scantily clad or even fully nude girls, sometimes referred to as thots. Part of why Snapchat started to gain popularity is the ability to send nudes and have them disappear from the recipients device in a set amount of time. Some hookup sites like Thots.app have expanded on this concept, creating apps for sharing nudes that also focus on helping users to hook up with other people in their area. Thots is a term recently popularized by Megan Thee Stallion, but now has been brought to life as as dating app, and it works just like the name suggests.

Why You May Not Like Snapchat

Despite the fact that people generally love it, you should be aware that if you don’t have a large enough circle of friends on Snapchat, you won’t be able to use it all that much. If you have friends that haven’t signed up for the app yet, then you’re kind of out of luck if you want to enjoy the service. But that’s not to say that you can’t enjoy the app if you do have a friend that has already taken the leap. It really is an excellent way to communicate with friends that you might not be able to get together with often, without ever having to talk on the phone or Skype. What makes it such a good tool to use when you’re chatting with friends? Well, we already talked about how the app simplifies things so much that you don’t have to struggle with multiple apps to carry out a conversation.

Conclusion

Using social media, such as Instagram or Snapchat, does come with its dangers, such as exposing information about yourself. Snapchat does have a few security measures in place, such as an open API, to help secure your data. At the end of the day, if you don’t feel secure in using an app, then just don’t use it. As with most things in life, it’s all about knowing when to be careful and when to just trust.

Photography Snapsext

How To Get Nude Snaps From Local Girls

If you want to see sexy girls, this article is for you. Because of the nature of Snapchat, a photo-sharing app, you can send editable disappearing photos and videos. The best dirty NSFW snaps are hard to find because there are millions of porn accounts to follow. 

From the moment you follow one of these nude accounts, prepare for high-quality access to their nude stories, sexting and snapshots. The same goes for the rest of your regular Snapchat account interactions, so make the app private and make sure your tail is ready for some intense, serious action. If you need to watch sexy young ladies masturbating, oral sex or hardcore sex via webcam, then read on.

Why are nude Snapchat photos so great?

Nude Snapchat photos have a different feel to other nude photos on the Internet. Take the girls at the top of our list, for example. They take snapshots of naked people just like you. This makes things much more exciting and exciting than watching other nude photos you happen to stumble across. 

What are the best sites for sexting and nude snaps?

If you are looking for premium content and sexts, I recommend you join Snapsext. It is a premium network for girls and men to share their nude photos. And let’s face it, there are no free acts there. If you are looking for sexual satisfaction online, this is the best way to see some horny sexy chicks. 

If you click on the 10 you like, you’ll be taken to the Snapchat app, where it’s easy to add them. Once you get them, you’re in heaven because you get an update with their nude photos. You can also find out what kind of girl you are looking for.

Here is a list of the best access options from your phone: apps such as Tinder, Adult Friend Finder, Chaturbate, Fetlife and Instagram, where you can find performers with nude accounts. For Snapchat stars who share the same fantasies, you can also find others who create bespoke porn videos for all ages. 

How to take the best nude selifes?

If you want to do the perfect act, you have to play the mental game as well as the physical. They want to make it aesthetically pleasing and personal. The idea is to create anticipation for your revelation and impact, but you also have to make people want more. If you carry on like this, you’ll get naked at some point. The imagination begins with clothing being snapped with very little exposure. 

However, make sure you trust the person you are sexting and to whom you send the nude photos. Do not send anything that you do not know or that you suspect will be sent. Talk about what you prefer and what your expectations are after the experience.

If it is not obvious to you, at least make sure that you have reached a point where a sexual conversation is acceptable. Making a perfect act is not as difficult as you might think. Remember to have fun flirting and try not to think of it as a dirty brothel, because this is a business you deserve. Once you have made a friendship, you can send sexy texts. 

Either way, if you send or receive nude images online, this is the most popular method to take snaps. 

How to get girls to send you nude snaps?

Funny will make you appear less serious and less creepy. The phrase “hard work pays off” applies when it comes to getting girls to send you nude photos so you can get started with your nude photos. You will look like a cocky cunt.

This does not mean that every girl would reject a request for nude photographs. It’s almost like a sign of pride to get nude photos of girls. You see, getting girls to send nude photos is very objective. If she comes out and gives you what you want, it’s not unusual to wonder how you’re going to handle the situation.

That’s not always the case, but girls will send their pictures if they want to, and if they don’t want to send you any, stop asking if it’s not a mood. Nudity is personal and should be sent by a guy they trust. 

Not every successful porn star or sexy model is keen to talk to a random person on the internet. It’s OK to treat your favorite girl like your virtual girlfriend, tipping or buying a porn star a fancy drink at a bar. Many people donate for this reason, but for many people it is a great way to share nude photos that you can find online.

Depending on their allegiance, some of them will take more time than others. Some can take three days or more to respond. In most cases, signing up for a premium account will speed up your response time. Many have 1,000 users, many of whom interact regularly. 

How to keep your nude snaps safe?

If you use Snapchat as intended, you don’t have to worry about your Snapchat nude photos leaking out. More articles like this can be found in our post about porn and sexting. For those who want to sext without worrying about their breasts and peens floating in the cloud, this is the way to go. 

Photography

A Mother’s Struggle With Mental Illness

Chelsea Muscat’s mother, Salvina, grew up on a farm in Gozo in the Mediterranean Sea. She’s always longed for the sea and the sun, even after moving to New York with her family as an adult. She’s a painter of landscapes; she knits sweaters and blankets. This summer, she started working with clay sculptures. She’s also anorexic and has struggled with her mental health for as long as her daughter can remember. 

Muscat, now an adult, photographer, and filmmaker, also spent her early years in the Mediterranean, and her mother’s illness informed her world from a young age. “I remember she would run after me and my sister when we were young, trying to measure our waists to see where we stood,” the artist says.

“She used to be very depressed, paranoid, and suicidal. I’ve always had to be an adult, even at ten years old. I didn’t know a ten-year-old shouldn’t be responsible for someone’s life–especially a person who was supposed to be in charge of my life.”

Muscat spent her early childhood with her mother, but Salvina returned to Malta when her daughter was thirteen years old and remained until she was eighteen. As a recent college graduate, the photographer has been living with her mother, father, and sister in New York during quarantine. Photographing Salvina has become part of her routine, and in some ways, it’s also served as a coping skill.

Muscat uses a simple 35mm camera with flash for this series, resulting in raw, harsh lighting. She’s used an old digital camera that audibly “screeches” when it focuses, and recently, she’s distorted some of the images in Photoshop to reflect the way her mother sees herself–and how she sometimes sees her mother.

Although Salvina has seen the photographs, her daughter doesn’t feel she’s grasped their meaning within their relationship. “These days, it takes her a long time to process things or fully comprehend anything I’m saying,” Muscat says. “It feels like I’m talking to a child most times.

“When I say how I truly feel or that she traumatized me and my sister, she just responds with ‘I’m sorry.’ It’s an automated response, but my feelings don’t register. Next week, I can tell her the same thing again, and she has no awareness of it.”

Conversations at home are often limited to a few words, and Salvina’s pain, paranoia, and anxiety weigh heavily on her daughter. “For example, she blames when she eats a slice of cake–because cake starts with the letter ‘c’ and my name is Chelsea and starts with the letter ‘c,’” the artist says. “She tells me I’m controlling her and making her gain weight so I don’t gain weight, and that might be my entire interaction with her for the day.”

The ongoing project and the resulting images might not bring about healing or acknowledgment from Salvina–of her daughter’s trauma or her accomplishments–but perhaps that’s not their purpose. Even if Salvina can’t process their relationship, maybe her daughter can. The artist tells us, “It’s about accepting her for who she is and trying to make peace with the fact that the mother I once knew does not exist, no matter how badly I want a support system.”

She’s also made visible something that used to be tightly locked away, secret and invisible. “Filming and photographing is the only way I can show people what I go through,” she tells me. “I could never describe the details before, and it’s easier to see it and hear it. I also hope other people can relate out there and know that they aren’t alone.”

In the future, Muscat hopes to include pictures of her mother during happy moments too, like when she’s at work on a painting or sculpture. “When she is passionate about a project, she’ll do research, find tools and materials lying around, and get to work right away,” the photographer says. She admires her mother’s creativity and always has.

Muscat loves her mother. She also mourns for her. The photographs are a testament to both. “I think I’ll always feel like a lost kid wandering the streets, wanting and trying to go home, but knowing such a place doesn’t exist,” she admits. She visits Gozo, the island where both she and Salvina grew up, whenever she can. It’s where she goes to escape and to forget. Like her mother, she loves the sun and the sea.

Photography

A Multi-Faceted Portrait of Black American Power and Pride

Hailing from Rochester, a city rooted in photographic history, artist Joshua Rashaad McFadden was introduced to the medium by his mother when he was given a camera at the age of seven. While pursing his BFA from Elizabeth City State University, an HBCU in North Carolina, McFadden began to recognize the power of photography to evoke visceral, sometimes empathetic, responses from viewers.

Inspired by artists including Roy DeCarava, Carrie Mae Weems, and Lyle Ashton Harris, McFadden now uses the medium to explore identity, masculinity, father figures, history, and race in a wide array of series including Evidence, selections from which will be on view in the 2020 Aperture Summer Open from September 16-October 18, 2020 at Fotografiska New York.

“For a long time, I have sharpened my lens on Black men, capturing how we perceive ourselves, especially in contrast to how America at large sees us… Like many Millennials, I was rocked to the core by Trayvon Martin’s murder in 2012, mainly because I could identify with him,” McFadden told The Undefeated.

“I also began to grasp the comparisons to Emmett Till’s murder in 1955. I began to really see that the media presented young Black males, even kids like Trayvon as aggressive, and that prompted questions, pushing me to use my work as an instrument to dive deep into what Black masculinity is and is not.”

With Evidence, McFadden creates paradigms of Black masculinity that stand independent from images constructed for and consumed by the white gaze, allowing for a more nuanced exploration of the intersections of race, gender, and sexuality in Black American culture.

Now an assistant professor of photography at Rochester Institute of Technology, McFadden has also been documenting the Black Lives Matter protests in Minneapolis, the funeral of George Floyd and the funeral of Rayshard Brooks in Atlanta this past May and June.

He drove overnight to Minneapolis from Rochester when the protests first began, recognizing the need to bear witness to the uprising and stand among those speaking truth to power. “Meeting the families of these men who were killed, they just felt like my family,” McFadden told CNN, his photographs bearing that same profound sense of connection.

NYTUNREST The Atlanta protest is growing fast in front of the Wendy’s restaurant where police killed Rayshard Brooksby. People gathered here the day after a lengthy standoff between protesters and police last night.

“These two situations have now caught the attention of the world in a way we haven’t really seen. We have seen it kind of with Trayvon Martin and Ferguson and Baltimore. But there weren’t protests in every single state like it is now and then all over the world.”

Taken together, McFadden’s documentary and portrait work tell stories of Black America as an insider reflects upon the issues it must face in search of truth, justice, and freedom in a country that has denied these universal human rights for far too long.

By taking control of a narrative that has historically been hijacked and used to exploit. marginalize, fetishize, and erase, McFadden presents a profound portrait of Black life in 2020.

“People have been saying that they can feel the images, and I think that’s really what my goal is,” McFadden told CNN. “Not just to observe. You can observe things that are going on. But can you feel it? That is my goal. … Hopefully, through these images, people will be inspired to act and be inspired to change their ways of thinking.”

Photography

Classes Push Towards Photography Ethics

As digital photography radically democratizes the medium, taking it out of the provenance of a once-elite group of imagemakers and gatekeepers, the subject of ethics in photography has come to the fore.

Long overdue, we can finally begin to confront issues of bias, morality, and principle that have long infiltrated the medium by many of its most prominent practitioners.

Most recently, the Magnum Photos board voted unanimously to suspect veteran photojournalist David Alan Harvey’s membership after allegations of sexual harassment by a female colleague, as first reported in The Guardian.

The suspension follows, but is not related to, the recent discovery of photographs Harvey made in 1989 depicting Thai sex workers who appear to be underage After being alerted to the presence of these images, Magnum took down its entire archive for what they described as a “comprehensive review – with outside guidance.”

Though recent, these are far from the first allegations made against a prominent figure in the industry, as the #MeToo movement brought to light the behavior of numerous men in the industry.

But beyond their behavior behind the camera are the issues of what happens before the lens is even raised — the ethical issues with which all photographers, professional and amateur, must contend in order to produce work that cultivates social responsibility, rather than profit off opportunism.

Savannah Dodd, Founder and Director of the Photography Ethics Centre, shares her insights into establishing an organization dedicated to raising awareness and promoting ethical literacy across the photography industry through a variety of programs including online training, guest speaking, and interactive workshops.

Here she speaks about the key ethical issues facing photographers today.

To begin, can you give us a sense of the state of the world in 2017 and how global events informed the issues you wanted to explore in the creation of the Photography Ethics Centre?

“When I decided to start the Photography Ethics Centre in 2017, there were a number of major geopolitical events happening at the time, namely the migration of Syrian refugees across the Mediterranean, the surge of violence against the Rohingya community in Myanmar, and British secession from the EU.

“With all of these events, as with most events in the media today, photography played a major role.

Sometimes photographs were used to promote empathy and compassion, while at other times photographs were used to stoke fear and bigotry.

But the thing that was universal among them was the immense power that photographs had shape popular consciousness about an issue, and, therefore, political will.

“Around the same time, on an intrapersonal level, I was spending more time with professional photographers at exhibitions and events. I started raising questions about asking for consent and negotiating access. While some of the photographers I spoke with were very passionate on the subject and eager to have these conversations, others were wholly unprepared for these questions.

I realized that there was a need for educational opportunities for photographers at all levels to improve their ethical literacy. Given the important role photography plays in the world today, we need photographers to develop the skills to produce work ethically.”

Could you speak about the power of photography, and the ethical issues that shape how this power can be used to help or to harm?

“Photographs are particularly powerful at shaping how we view and understand the world around us. Each time we take and share a photograph, we are contributing to what the world knows about the subject. Take and share a picture of a beach in Ireland? People learn a little bit more about beaches in Ireland.

This is pretty straightforward, but we are rarely conscious of our representational power as photographers when we are uploading a photo to social media.

“While some photographs that we take and share are innocuous, others risk perpetuating harmful stereotypes. Some stereotypes are so imbedded in our way of seeing the world that we may not be aware of them, much less question them.

“In order to avoid sharing photographs that perpetuate stereotypes, we need to be very self-reflexive about our own biases, and we need to carefully consider what our photographs are saying. We need to think about what tropes a photograph invokes or rejects, what conventions we have used, and where those conventions come from.

A lot of the conventions that we accept as being a sign of ‘good’ photographs are not just benign aesthetic decisions; they carry meaning and shape the way the viewer understands the scene pictured in an image.

“When we share a photograph, we have an opportunity to contribute to the visual record of whatever we have photographed.

We can use that opportunity to either challenge or perpetuate stereotypes.”

Could you speak about how the democratization of photography and how the rise of social media has expanded the role of photography in our daily lives?

“The democratization of photography and the rise of social media has meant that we are living in an increasingly visual world. We are constantly inundated with visual media, and we are constantly creating visual media. There is tremendous potential to enable people to communicate in ways beyond written and spoken word. However, many of us are ill-equipped to harness the power of photography effectively. We are taught to read and write in school, but most of us are not taught how to read and make photographs.”

What are the key ethical issues in photography in 2020?

“Representation has always been a major ethical issue in photography, but it’s getting a lot more airtime now thanks to the Black Lives Matter movement. The history of photography is steeped in colonialism and has been dominated by white men. This has led to a very specific portrayal of the world through the white, male lens. There are a number of brilliant organizations like Authority Collective, Women Photograph, and Diversify Photo that have been working very hard to shift this industry-wide imbalance.

“For individual photographers, I think that this is a moment to pause and really thoughtfully consider what is it that we are photographing and why we are photographing it. The culture of photography awards often leads people to photograph things that seem award-winning, without consider whether we are best-placed to tell that story. (There is another whole conversation that could be had here about what constitute “award-winning.”) We need to step back and listen to people from the communities are a photographing, to seek out photographers from those communities, and to bow out when work should go to Black photographers, photographers of color, and female and non-binary photographers.

“There are a number of other ethical issues that have come up in recent months, including questions of consent, identifiability and safety, and the exploitation of vulnerable minors. There will no doubt be many more ethical issues hotly debated on Twitter before the year is through. Although there are many deeply concerning practices that are coming to light, I find it really invigorating that there are so many people who are so passionate about photography ethics and who are having these conversations.”

What are three important questions a photographer can use to check their ethics?

“This is a really difficult question because ethics should really be embedded into the photography process, from the initial concept all the way through to publication. But if I had to pick three questions, I suppose they would be:

“1. What am I representing and why? Whenever we are taking and sharing photographs, we are engaging in a process of representation. Thinking critically about what it is you are trying to represent and why you are doing it is an essential first step in exploring the ethics of your photography process.

“2. Do my photographs and captions accurately represent the event? This is an important question to ensure our integrity as visual storytellers, and to highlight our biases and assumptions. It asks us to consider whether our photographs really tell the whole story. What have I cropped out? What have I focused on? And why?

“3. What impact could these photographs have on the viewer, on the individual(s) represented, and on others? We are not producing work in a vacuum. Our photographs will have a very real impact on the world around us. We have a responsibility to consider what that impact might be, and to mitigate any potential harm that could come to the people in our photographs as a result of our work.”

Photography

A Journey to the World’s Southernmost Inhabited Place

“It’s a sort of last frontier, a legend-filled land that people want to visit as a place where discoveries can be made,” says Ghent-based photographer Britt Vangenechten of the world’s southernmost inhabited place. Tierra del Fuego is an archipelago of islands located at the southern tip of South America and jointly owned by Chile and Argentina.

With only a few towns scattered across the land, most tourists flock to the major city Ushuaia, but Vangenechten wanted to strike out on a path of her own.

Travelling only with a camera and a little money in her pocket, she discovered desolate roads, mysterious forests and lonely settlements, creating this beautiful and evocative photo series entitled El fin del mundo, the end of the earth.

What themes do you tend to focus on in your photographic work?
“I’m mostly a documentary photographer. I’ve been always interested in how people live around the world, but I always tend to focus more on the human impact on places rather than on the people themselves.”

How did this project start and what attracted you to the region in the first place?
“In 2011, I first started reading about Tierra del Fuego. What attracted me was that this is the southernmost place on earth where people live – sometimes in very hard circumstances. It’s always cold and windy over there, and they’re so far away from the rest of the world. You can drive hours without coming across a single soul.

I was studying a photography masters at the time, so I decided to go there because I was very curious about this place and I really wanted to make a documentary project about it.

So the first time I went there was in 2012 and I graduated with this work. I always knew I wanted to return some day to finish it up, so in 2016 I spent another few weeks over there.”

Do you have a particularly memorable moment from your experience in Tierra del Fuego?
“In 2012, I rented a car to discover the Chilean side of Tierra del Fuego, which is a lot more desolate than the Argentinean side. My credit card was blocked because I booked a last minute trip to Antarctica a few weeks before, and my debit card didn’t work either. I just had around 120 euro for 5 days, and I needed that money for gasoline, food, and a bed at night. Of course I ran out of money pretty soon, so the only thing I had left to eat was bread with mayonnaise, and during the final nights there I had to sleep in the car, which was pretty cold (I think it was around 5 degrees at that time).

I also had a car accident; I was going too fast downhill on a gravel road and lost control over the car, so I ended up next to the road after a 180 degrees turnaround. Luckily I had no injuries and the car was fine as well. Needless to say it was a pretty rough time, but I look back at it with a smile.”

Was there a reason you chose to mainly focus on the landscapes and not the people?
“I wanted to keep that desolate feeling that I felt when I was there, in the pictures.

In most of the photos you can feel or see the human impact on the landscape, so for me this was enough to tell viewers that there are actually people living there, without showing them.”

Lastly, in three words how would you describe the place to someone who has never been there?
“Windy, desolated, and truly the ‘end of the world.’”